I am a London-based Production Manager and Production Coordinator with over a decade of experience across feature film, high-end television, commercial production, music video, and documentary. Since entering the industry in 2014, I have built a career defined by an ability to deliver complex, ambitious productions — at scale, across borders, and to the highest standard.
Education & Training
I hold a Production Management degree from the National Film and Television School, where I was awarded the Sargent-Disc Scholarship, and an MA in Producing from Royal Holloway, University of London, awarded with distinction. My thesis focused on film tax rebates in Eastern Europe — a subject that reflects a longstanding passion for the business and financing side of international cinema, and an area I am keen to develop further in my career. I am a BAFTA Connect and The Production Guild of Great Britain member.
Selected Credits
Over the past decade I've had the opportunity to work across a wide range of productions — from independent features to major studio films.
My feature film credits include Production Coordinator on Dennis for A24 Films; Production Coordinator on Wife and Dog (Additional Photography), directed by Guy Ritchie; APOC on Blood on Snow, directed by Cary Fukunaga and starring Benedict Cumberbatch; APOC on The Amateur for 20th Century Studios, starring Rami Malek; APOC on The Covenant, directed by Guy Ritchie for MGM; and Travel Coordinator on The Ministry of Ungentlemanly Warfare for Lionsgate, starring Henry Cavill. In television, my credits include APOC on Hijack Series 2, Cast Travel Coordinator on Netflix's KAOS starring Jeff Goldblum, and Travel & Accommodation Supervisor on Jack of Spades, directed by Joel Coen.
Across my feature film and high-end television work, my role has focused on the operational backbone of large-scale productions — managing complex international logistics, travel and accommodation, crew and talent coordination, visa arrangements, studio paperwork delivery, and keeping everything running smoothly across busy multi-department shoots. I'm comfortable with the standard production management tools, and I understand the particular demands of working with global partners across multiple territories simultaneously. I have filmed across Turkey, France, Spain, Italy, Poland, Latvia, Germany, and Denmark, and I'm equally comfortable leading a production office and working on the ground on location.
In-House Experience
I have also valued the experience of working in-house, most recently at A24 Films — supporting the Head of Production across a busy slate — and at Intake Films, where I worked closely alongside producers on development and slate management, contributing to funding and grant applications and gaining direct insight into how a production company manages projects from the earliest stages through to greenlight.
Short-Form & Commercial
In the short-form world, I have taken on fuller production management responsibility across over 30 productions spanning commercials, music videos, short film, and documentary. Here my expertise extends to budgeting and scheduling, location sourcing and permits, crew recruitment and rate negotiation, casting coordination, contract preparation, and full financial reconciliation from prep through to wrap. My commercial credits include campaigns for 3M, Garnier, Kinder, Lidl, Rossmann, and recently Rimmel, L'Oréal, and Kérastase. My documentary work was nominated at both the Grierson Documentary Awards and the Royal Television Society Awards, something I'm genuinely proud of.
Beyond the credits, what drives me is a genuine passion for the craft of production itself — delivering work to the highest possible standard, and doing so in a way that works for everyone involved. I believe strongly in creating environments where crew feel supported, where creative ambitions and practical realities are given equal weight, and where the day-to-day experience of making something is as considered as the end result. The film and television industry asks a great deal of the people who work in it, and I think those of us who have the opportunity to shape how productions are run have a responsibility to keep raising the bar — not just in what we deliver on screen, but in how we get there.
Skills:
● Production paperwork distribution (Call Sheets, Scripts, Schedules, Wrap Reports)
● Shipping, complex T&A arrangements
● DGA, SAG-AFTRA, AHA paperwork
● Child licensing
● Backpage
● Cast, Crew and Stunt contracts
● Booking of Equipment, Crew, Facilities
● Visas (CoS, Schengen, international)
● Prep Diary coordination, Clearances
● Casting, Location Scouting
● Budgeting and Scheduling
● Paperwork delivery for wrap
Software:
● MM Budgeting & Scheduling
● Final Draft
● Windows and Mac OSX
● Microsoft Office incl. advanced Excel
● Set Keeper, Team Engine, Crew Start
● Octopus PMI, Moneypenny
● DPO, EzyPO
● Scenechronize
● Notion, Monday.com
Languages:
● English (Fluent)
● Polish (Native)
● Spanish (Communicative)